Based on the same gimmick as Alain Resnais’ film Smoking/No smoking (1993), this play presents its director with one fundamental trial: although the second part of the play initially re-enacts the first, the two plots diverging only when the protagonist says “no”, he must find a way to show us something different. Richard Brunel astutely and successfully meets that challenge.
Anaclase, Isabelle Stibbe